{"title":"At The Moment","description":null,"products":[{"product_id":"dagmar-zuniga-in-filth-your-mystery-is-kingdom-far-smile-peasant-in-yellow-music","title":"Dagmar Zuniga -  In Filth Your Mystery is Kingdom \/ Far Smile Peasant in Yellow Music","description":"\u003cp class=\"p1\"\u003eFormat : LP\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eLabel : AD 93\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCatalog # : WHYT108\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGenre : \u003ca href=\"https:\/\/passengerseatrecords.com\/collections\/rock-pop-folk\" target=\"_blank\" title=\"Folk\" rel=\"noopener\"\u003eFolk\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDagmar Zuniga makes music that feels both intimate and expansive: songs drift like disrupted signals, carried by harmony, tape hiss, and a strong sense of touch.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHer debut solo album in filth your mystery is kingdom \/ far smile peasant in yellow music — written and recorded in New York, Norway, and Athens, Georgia over a period of five years on her longtime companion, the Tascam 424 — was uploaded to Bandcamp and YouTube in January 2025 through Dagmar’s friends People's Coalition of Tandy. The project quickly garnering over two hundred thousand views and the attention of artists such as Mount Eerie, who invited her to tour with them that summer.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThis year, what was once a jewel of tapped-in algorithms and message boards will meet the world at large\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 400px; height: 472px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3079761468\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/dagmarzuniga.bandcamp.com\/album\/in-filth-your-mystery-is-kingdom-far-smile-peasant-in-yellow-music\"\u003ein filth your mystery is kingdom \/ far smile peasant in yellow music by dagmar zuniga\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Passenger Seat Records","offers":[{"title":"Default Title","offer_id":45163349475523,"sku":null,"price":34.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0637\/5011\/1427\/files\/DagmarZuniga-InFilthYourMysteryisKingdom.jpg?v=1776966313"},{"product_id":"bruno-berle-sem-fronteiras","title":"Bruno Berle - Sem Fronteiras","description":"\u003cp class=\"p1\"\u003eFormat : LP\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eLabel : Far Out Recordings\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCatalog # : FARO259LP\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGenre : \u003ca href=\"https:\/\/passengerseatrecords.com\/collections\/brazil\" target=\"_blank\" title=\"Brazil\" rel=\"noopener\"\u003eBrazil\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eBruno Berle is a singer, songwriter, producer, multi-instrumentalist and figurehead of a contemporary Brazilian music movement. With a quiet mastery of songwriting and an astonishing voice, his music has won hearts around the world. Since the release of his debut album No Reino Dos Afetos (2022), Berle has performed across the UK, Europe, Japan, South Korea, and China, only leaving his home country for the first time in 2023. Shaped by these journeys, Berle’s third studio album, Sem Fronteiras (Without Borders), reflects a utopian vision of a unified world.\u003c\/p\u003e\n\u003cp\u003eRecorded across London, São Paulo, Minas Gerais, Germany, and Maceió, the album–co-produced alongside his longstanding musical partner Batata Boy–is the most expansive canvas Berle has worked on to date. Shot through with the imagery that has always animated his songwriting: open skies, morning light, vivid colours and the magic of human connection, Berle’s carefully crafted poetics and warm, delicate instrumentation drive this vivid body of work.\u003c\/p\u003e\n\u003cp\u003e“I came from nothing”–Berle doesn’t take his rise to global prominence for granted.\u003c\/p\u003e\n\u003cp\u003eBorn to a working class family from Brazil’s northeastern Alagoas state, one of Brazil’s most economically deprived, Bruno moved frequently in his youth to follow any job opportunities his parents could find, before eventually settling in the coastal capital of Maceió. “I used to travel to Caruaru, Santa Cruz, Recife, Garanhuns, Arapiraca, which I loved and feel it made me ready to be in this rhythm i’, but at the same time I think not having friends from childhood and being in constant change made me a little numb to the constant upheaval”. On Sem Fronteiras, there is a similar duality at play. The album celebrates the collective joy and human connection that live touring brings, but it also sits with the darker realities of crossing borders. While music moves more freely around the world than ever before, our bodies are not granted the same privilege.\u003c\/p\u003e\n\u003cp\u003eThough he’s never lacked self-belief, Berle recognises that talent alone doesn’t guarantee opportunity. “Before my second album [No Reino Dos Afetos 2] everything I had ever recorded was made with the help and kindness of people who believed in my ability”. Determined to pay that kindness forward and help others from the sharp end of Brazil’s desperately unequal society, Berle produced and featured on the recent self-titled albums by his northeast Brazilian compatriots, Nyron Higor and Phylipe Nunes Araújo (both 2025), helping propel both onto the international stage. In turn, following the successes of Nyron \u0026amp; Phylipe’s albums alongside his own, Bruno finds himself at the forefront of a thriving community of artists now based in São Paulo, but primarily originating from northeastern states like Alagoas and Pernambuco.\u003c\/p\u003e\n\u003cp\u003eMuch like the famed Clube Da Esquina movement that spawned in 1970’s Minas Gerais, they operate with a free-exchange of ideas, writing songs with and for each other, performing on each other’s albums and on the live circuit together. Lead single ‘Manha’ flows from this ethos. It was written by Berle’s friend and fellow Alagoan João Menezes (writer of ‘Ate Meu Violao’ and ‘Te Amar Eterno’ from Bruno’s previous albums) and Marvin Viera, and originally recorded on their 2018 album Areia e Mar.\u003c\/p\u003e\n\u003cp\u003eSem Fronteiras opens with ‘Voce^ Ja´ Sabe Que Eu Te Amo’, just six beats of one nylon guitar chord ring out before changing key, paving the way for the gentle strike of fender rhodes and the arresting call \u0026amp; response duet between Berle and Higor. On ‘Amor Inteiro’, the album reaches a celebratory burst of catharsis, with the punch-packing drums of Pedro Lacerda and Nina Maia’s joyous backing vocals encapsulating the live energy that Berle and his band bring to the stage.\u003c\/p\u003e\n\u003cp\u003eWith the abundant talents of this musical community at its heart, Sem Fronteiras releases 10th July 2026 via Far Out Recordings, supported by a summer tour across Europe. Bruno Berle will perform in a four-piece band alongside Nyron Higor, Phylipe Nunes, and Batata Boy, culminating in an appearance at Roskilde festival, Berle’s biggest live show to date. He’ll continue to carry a hopeful vision of a world where artists and musicians can move as freely as their music flows.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 400px; height: 472px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=949507353\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/bruno-berle.bandcamp.com\/album\/sem-fronteiras\"\u003eSem Fronteiras by Bruno Berle\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Passenger Seat Records","offers":[{"title":"Default Title","offer_id":54052999758019,"sku":null,"price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0637\/5011\/1427\/files\/Bruno_Berle_-_Sem_Fronteiras.avif?v=1784681328"},{"product_id":"ancient-infinity-orchestra-its-always-about-liberation","title":"Ancient Infinity Orchestra - It's Always About Liberation","description":"\u003cp class=\"p1\"\u003eFormat : LP\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eLabel : Gondwana Records\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCatalog # : GONDLP081\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGenre : \u003ca href=\"https:\/\/passengerseatrecords.com\/collections\/jazz\" target=\"_blank\" title=\"Jazz\" rel=\"noopener\"\u003eJazz\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003eBlack BioVinyl Limited LP, in a printed reverse board sleeve and packed in a resealable protective sleeve\u003cbr\u003e\u003cbr\u003eAncient Infinity Orchestra return with their third album, It’s Always About Liberation, a new record that deepens the vision of their acclaimed recent work while moving into darker, more searching emotional territory.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 400px; height: 340px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2843892632\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/ancientinfinityorchestra.bandcamp.com\/album\/it-s-always-about-liberation\"\u003eIt’s Always About Liberation by Ancient Infinity Orchestra\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Passenger Seat Records","offers":[{"title":"Default Title","offer_id":54061297205443,"sku":null,"price":37.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0637\/5011\/1427\/files\/AncientInfinityOrchestra-It_sAlwaysAboutLiberation.jpg?v=1785874630"},{"product_id":"hug-hug","title":"Hug - Hug","description":"\u003cp\u003eFormat : LP\u003c\/p\u003e\n\u003cp\u003eLabel : Luaka Bop\u003c\/p\u003e\n\u003cp\u003eCatalog # : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLBOP-0104\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eGenre : \u003ca href=\"https:\/\/passengerseatrecords.com\/collections\/ambient\" title=\"Ambient\"\u003eAmbient\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eFrogs, condensed milk, the patter of rain. HUG is the new collaborative project from the celebrated guitarists and songwriters Gyan Riley, Devendra Banhart, and Noah Georgeson. Three eternal friends becoming children.\u003c\/div\u003e\n\u003ciframe style=\"border: 0; width: 400px; height: 472px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1719479205\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/hughughug.bandcamp.com\/album\/hug\"\u003eHUG by HUG\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Passenger Seat Records","offers":[{"title":"Default Title","offer_id":54078264148163,"sku":null,"price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0637\/5011\/1427\/files\/Hig-Hug.jpg?v=1788410725"},{"product_id":"nirosta-steel-my-skyscraper","title":"Nirosta Steel - MY SKYSCRAPER","description":"\u003cp\u003eFormat : LP\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eULYSSA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eCatalog # : ULY044\u003c\/p\u003e\n\u003cp\u003eGenre : \u003ca href=\"https:\/\/passengerseatrecords.com\/collections\/electronica-indie\" title=\"Electronic \/ Indie\"\u003eElectronic \/ Indie\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eCREASE WHEN RECEIVED VIA DISTRO\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e‘My Skyscraper’ represents 40 years or so of works, re-works and works-forever-in-progress of one Steven Hall, aka Nirosta Steel — son of Scotland; step-son of the United States of America; adopted Daddy of Taiwan; Five-Star General in the Buddhist Army; legendary horndog stickman (we have pics!); friend, neighbor, collaborator and co-conspirator of Arthur Russell; and one of the most jawdroppingly sincere songwriting voices you’ll hear in this wretched modern era. Sure, that’s a metric fuck-ton of descriptors for a single person. But it's sorta impossible to capture the full scope of this human being named Steven Hall.\u003cbr\u003e\u003cbr\u003e‘My Skyscraper’ doesn’t really even scratch at the surface of his output. And plenty of material is already out there — a devastating 1999 live [but not exactly your standard live recording] called Cool Fire; an EP produced with Russell called Foxy Pup; all his work with the storied outfit Arthur’s Landing, a not-quite-tribute group formed to carry Russell’s torch; and quite a load more. But it’s always a rare and specific constellation of ideas and motifs: queer love songs — night life, giddy desire and odes to lovers of yesterday. There’s the anti-vibrato ethos he shared with Russell always present in the vocal stretches and horn performances\u003cspan class=\"bcTruncateMore\"\u003e. Sexy AF window-buffet disco. Cloudfolk earlobe-lick confessionals. Post-rave sauna-wave. We culled ‘My Skyscraper’ from a few hours-worth of longform mixes Hall sent to us last year. Right away, we noted he also shares with Russell a forever-sculpting approach to songcraft. A folk version of a song here; clubbed out disco version of that same one over there. An absolutely maniacal organizational process that had us triple-checking our metadata. No, we've never met a dada quite like Hall. A True Scotch-American wildass. There’s a dance song originally penned for Madonna in the early 80s (“ENGLISH PARTY”) and an unhinged falset-toe industrikal sludgefunk banger (“YHEMA”). “BOSS TRIX (BENNY’S SONG)” is a seductive deep-house ode to a former Taiwanese boyfriend whose profound intellect was only matched by his ability to shoot a load of come up over his own head — which, now that we think about it, is exactly what the song sounds like, in a good way. Side C of this double vinyl features two super-longform acoustic meditations recorded with Russell. And we have right here 22+ minutes of their Buddhist Bubblegum praxis on full peacock plumage display — Russell’s transcendental tippytap drums propelling us along as Hall works through koan after koan of melody and poetics. The stunning ‘GO FOR THE NIGHT’ — co-written with Russell and performed here with Arthur’s Landing — is lounge-y elegant jazz-pop in the way of Sade that captures the quiet percolating anticipation an approaching night at the club. Will the boy be there? Only one way to find out. Put your headphones on and go for the night.\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003ciframe style=\"border: 0; width: 350px; height: 470px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1586516707\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/ulyssa.bandcamp.com\/album\/my-skyscraper\"\u003eMY SKYSCRAPER by Nirosta Steel\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Passenger Seat Records","offers":[{"title":"Default Title","offer_id":54090977509571,"sku":null,"price":41.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0637\/5011\/1427\/files\/NirostaSteel-MYSKYSCRAPER.jpg?v=1790295966"},{"product_id":"jon-hassell-music-is-invisible-pentimento-volume-three","title":"Jon Hassell - Music Is Invisible (Pentimento Volume Three)","description":"\u003cp\u003eFormat : LP\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNdeya\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eCatalog # : LP-NDEYA-12\u003c\/p\u003e\n\u003cp\u003eGenre : Jazz \/ Ambient\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe third part in Jon Hassell’s Pentimento trilogy captures Jon Hassell performing as part of a trio with Rick Cox and John von Seggern at St John at Hackney church, London on 23 May 2015, carefully edited and mixed by Jeff Rona into something much more than a traditional ‘live album’. Themes, motifs and riffs from Hassell’s two final albums, Listening To Pictures and Seeing Through Sound, occur throughout these unique, semi-improvised mutations, making this a fitting final volume in the late career renaissance of the Pentimento series. It contains a liner note essay by Jon Hassell that inspired the title, and is also available as part of The Pentimento Trilogy boxset\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBefore Jon Hassell passed away in June 2021, he released two remarkable and critically adored albums: Listening To Pictures (2018) and Seeing Through Sound (2020), presented as parts one and two of the Pentimento series. ‘Pentimento’ is defined as “the appearance in a painting of earlier images, forms, or strokes that have been changed and painted over”, a methodology that Jon applied in a musical sense throughout his career, refining and developing his approach over time.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWhilst Music Is Invisible does capture Jon Hassell and band performing live, the blurred lines between ‘studio’ and ‘live’ in the Hassell discography means that the category distinctions become somewhat meaningless. The musicians here are playing using a sound bed of samples taken from different sources (often their own previous performances), combined with the extensive editing, clean-up work and subtle sampling employed at the mixing and post-production stage, means this is as much a ‘studio’ record as many other entries in the artist’s body of work.\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 400px; height: 274px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2021900354\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/jonhassell.bandcamp.com\/album\/music-is-invisible-pentimento-volume-three\"\u003eMusic Is Invisible (Pentimento Volume Three) by Jon Hassell\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Passenger Seat Records","offers":[{"title":"Default Title","offer_id":54096179134659,"sku":null,"price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0637\/5011\/1427\/files\/Hassell_Jon_MusicIsInvisible_PentimentoVolumeThree.jpg?v=1792108708"},{"product_id":"harmony-index-lights-on","title":"Harmony Index - Lights On","description":"\u003cp\u003eFormat : LP\u003c\/p\u003e\n\u003cp\u003eLabel : FO\u003c\/p\u003e\n\u003cp\u003eCatalog # : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFO04\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGenre : \u003ca href=\"https:\/\/passengerseatrecords.com\/collections\/electronica-indie\" title=\"Electronic\"\u003eElectronic\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eOn her first Harmony Index album, multi-instrumentalist and producer Nico Leibman spotlights the feelings that are most difficult to express, bringing out the friction between her dreamy hooks and harsher sonics. Written almost like a DJ set, the album shifts intentionally between piano-led trip-hop, lounge, dream pop, 2-step and breakbeat house, not languishing in nostalgia but defining a language that's rooted in desire, surrender and forward motion.\u003cbr\u003e\u003cbr\u003eUntil now, Leibman has been best known as a touring musician, working alongside artists like Jessica Pratt and Ana Roxanne, while slowly putting together new solo material in-between frequent tours. The album was written in bursts over the course of five long years and provided Leibman with a much-needed outlet - a chance for her to lock into her personal musical preoccupations, like Janet Jackson's 'The Velvet Rope', Everything but the Girl's 'Walking Wounded' and Prefab Sprout's 'Jordan: The Comeback'.\u003cbr\u003e\u003cbr\u003eIt's this era of pop - when nascent technology collided at force with skillful, soulful songwriting - that provides the album's backbone, fleshed out by Leibman's potent meditations on a spectrum of experiences in Los Angeles. And as the record was evolving, Leibman let long night drives crack her creative world open. Embracing the city's notoriously cinematic romantic side, she used the car as a \"little chamber of limerence,\" in her own words, enabling her fantasies and acting as a test system for each song. \"If it wasn't hitting in the car,\" she says. \"It wasn't going to be on the record, period.\"\u003cbr\u003e\u003cbr\u003eThis sense of motion is evident almost immediately on 'Recognize', when Leibman's breathy words are carried into the night by choppy, uptempo breaks and resonant pads. So even when she simply coos over chugging guitars and bass on the first half of 'Enough', the drop into a low-slung breakbeat is implied. \"Another digression, a break in this tension,\" she sings. \"Was I foolish to believe that this was never your intention?\" Leibman's tales of disillusionment are imbued with power, buoyed by her pitch-perfect production, with additional help from co-producer Cesar Maria.\u003cbr\u003e\u003cbr\u003eOn 'Don't Pretend', she sings softly and soulfully over decelerated Timbaland-inspired beats and a dubwise bassline, aided by additional production from Purelink. And 'If' marks the point where she lets go, infusing her euphoria with melancholy as her voice soars alongside the album's most infectious piano riff. Fittingly, the album concludes with 'Trust', a song about surrendering to the possibilities of love that works as a potent metaphor for the album's evolution. Over the course of five years, Leibman learned to let people in, finally trusting the process. \"It's also a fantasy of what it would feel like to finally be in love again,\" she laughs, accepting that it's still just a fantasy. But it's this hope in unfulfilled longing that gives the album its unique character, defining a bold, unguarded voice in LA's experimental pop landscape.\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 400px; height: 472px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4215687989\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/harmonyindexmp3.bandcamp.com\/album\/lights-on\"\u003eLights On by Harmony Index\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Passenger Seat Records","offers":[{"title":"Default Title","offer_id":54099720470723,"sku":null,"price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0637\/5011\/1427\/files\/HarmonyIndex-LightsOn.jpg?v=1792021052"},{"product_id":"isik-kural-motorcycles-and-cherry-wind","title":"Isik Kural - Motorcycles and Cherry Wind","description":"\u003cp\u003eFormat : LP\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRVNG INTL.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eCatalog # : RVNGNL139\u003c\/p\u003e\n\u003cp\u003eGenre : \u003ca href=\"https:\/\/passengerseatrecords.com\/collections\/ambient\" title=\"Ambient\"\u003eAmbient\u003c\/a\u003e \/ \u003ca href=\"https:\/\/passengerseatrecords.com\/collections\/rock-pop-folk\" title=\"Indie\"\u003eIndie\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eIsik Kural’s Motorcycles and Cherry Wind is a sonic travelogue of stories waiting and wanting to be told, of seekers passing through a loop of time as they become witnesses to the glories of the ancient ruins. The album holds sounds of timeless quality—like inherited folklore, draped with secondhand nostalgia—taking the shape of whoever is eager enough to claim it as their own. Rich and full of character like the dusty mystery of an archeological site, Kural whispers to the living and the long gone alike in the poetic embrace of Motorcycles and Cherry Wind.\u003c\/div\u003e\n\u003ciframe style=\"border: 0; width: 400px; height: 472px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=677323604\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/isikkural.bandcamp.com\/album\/motorcycles-and-cherry-wind\"\u003eMotorcycles and Cherry Wind by Isik Kural\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Passenger Seat Records","offers":[{"title":"Default Title","offer_id":54107405910211,"sku":null,"price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0637\/5011\/1427\/files\/IsikKural-MotorcyclesandCherryWind.jpg?v=1793047050"}],"url":"https:\/\/passengerseatrecords.com\/collections\/at-the-moment.oembed","provider":"Passenger Seat Records","version":"1.0","type":"link"}